10. Donnie Darko
When I first saw this movie (with Caroline, as it turns out), my initial reaction can be encapsulated in a single word: "Wha?" But I saw it a second time with Laura, and I really understood it. Not the actual plot stuff, which is really vague and I think totally up to the individual viewer's interpretation, but the feeling, the mood of the film. It is at times very dark and depressing, but strangely uplifting and celebratory all the same. There are moments of exquisite beauty (the slo-mo intercut between Sparkle Motion and the arson, for example), and the sequence set to Gary Jules' "Mad World" is quite possibly the best montage-over-song sequence I've ever seen. A great, unique, imaginative, lovely, weird film.
current mood:
music: Brewer and Shipley, "Too Soon Tomorrow"
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